"Chris and I have been in a lot of dark places together, and the thing I love about Chris, we met over some ‘apple juice’ and it was like one of those experiences where there’s a dude you meet and you’re like ‘Man, you’re a cool dude.’ Then a whole bottle of ‘apple juice’ later you’re like ‘Man, we’re friends.’ Just a dark, dark place."- Anthony Mackie.

(Source: ariahastings, via abitaddicted)

whiskerbiscuitbakery:

northfalls:

”Do I have an intimidating face? Not many men come up to me and give me one-liners.” — Natalie Dormer for GQ Magazine (x)

I think it’s her eyes. They look into your soul.

(via starshitenterpiss)

"The really odd thing about human sex, though, was the way it went on even when people were fully clothed and sitting on opposite sides of a fire. It was in the things they said and did not say, the way they looked at one another and looked away."

The Fifth Elephant Terry Pratchett (via tremendoussocks)

image

sorry i couldn’t help it

(via incredifishface)

GOLD.

This is literally perfect.

(via sherlockfuckyeah)

(via mphelmsman)

Tags: BOOM

attackofthechewenod:

what if Cecil had a day off from the radio show and Night Vale had a perfectly “normal” day (like the nobody-dies day in Dead Like Me)

like nothing happened that was horrific or unsettling. 

and Carlos just eyeballs him the whole time like are you having the day off because there’s nothing to report or is there nothing to report because you’re having the day off 

(via jenfangirls)

geminent:

acklebabby:

DOOOYOUHEAR THE PEEEOPLE SING

SINGING SOOONG OF AANGRY MEN

IT IS THE MUUUSIC OOF A PEEEOPLE WHO

WILLNOT

BE SLAVES

AGAIN!

WHEEN THEBEEATINGOOFYOURHEART

ECHOES THE BEEEA TING OOFTHE DRUMS

THERE IS A LIFE ABOOUT TO STARTWHENTOMOOORROW COOOOOOOMES!!

i think this should be the new way to read music rather than the notes and stuff

(Source: whitmanmae, via alittlebitmarvellous)

mooseravenclaw:

jaclcfrost:

a good response to the question “how old are you?” is something along the lines of “dunno i stopped counting after the first few centuries”

and it needs to be said seriously without smiling or humor or as casually as possible and followed by “so anyway” and a subject change as if it’s completely normal

"I stopped counting a few decades ago. no. what’s the one with the zeros? millennia that’s it. human time keeping is so confusing."

(via tantalumcobalt)

art-of-swords:

Short Sword

  • Dated: circa 1530 — 1540
  • Culture: South German or Swiss
  • Medium: steel, leather
  • Measurements: overall length,78.6 cm; grup length, 8.2 cm; blade length, 65.3 cm, quillons width, 18.6 cm; weight, 1.5 kg

The form of the guards of this sword is typically South German of the second quarter of the 16th century, but the pommel is as distinctively Venetian while its blade bears the mark of Basle. It seems that such marks stamped upon blades do not refer to its place of origin of the blade, but of the hilt in which it is mounted. Therefore it seems to be reasonable to assume that this sword is, basically, Swiss, though it has the appearance of a hybrid.

A particularly fine sword with a similar guard is in Rome, in the Odescalchi Collection, Mu. no. 185. This is illustrated in Nolfo di Carpegna’s catalogue of its collection, and in Boccia and Coelho’s ‘Nemi Bianche Italiane’, no. 381. A sword with an almost identical pommel and similar guards was sold by the Galerie Helbing in Madrid in 1908, from which sale some of the Medieval swords in the Fitzwilliam Collection came.

The pommel has the form of a crown of three fleusons, the middle on a long truncated cone accommodating the top of the long, which is switched over without a button. The sword features a half-basket guard of four elements of flat triangular section. The knuckle-guard is turned over at the top, the loop-guard covering the back of the hand, springing from the top of the knuckle-guard and meeting the midpoint of a forward ring-guard. Between these two guards is an S-shaped counter-guard. 

The sword has a straight quillons of the same flat triangular section as the guards. The quillons widens toward the tips, which are cut off straight and finished with small spherical knobs. The back-guard is made of one bar, springing from the root of the outside quillon and joining the end of a single short outside branch.

The grip is of oval section, widening toward the pommel, covered in red-brown leather. The broad back-edged blade, with a shallow fuller just inside the back edge which ends in a short cusp at the point. The back is very slightly curved. The blade bears its stamped mark of the City of Basle.

Source: Copyright © 2014 The Fitzwilliam Museum, University of Cambridge

(Source: thronesgifs, via jenfangirls)

(Source: kath-kwon, via lapuslazulli)

professorfangirl:

qthewetsprocket:

notmydate:

What I wish I could do when people I don’t want to see come to my door.

…Next time the dwarves come, Bilbo will be ready.

When students find my blog.

professorfangirl:

qthewetsprocket:

notmydate:

What I wish I could do when people I don’t want to see come to my door.

…Next time the dwarves come, Bilbo will be ready.

When students find my blog.